PHIL 539A 001 2022W1 Aesthetics - AESTHETICS
PHIL 539A 001 2022W1 Aesthetics - AESTHETICS
Dominic McIver Lopes
Office: Mondays 11h30–12h30 in Buchanan E367
This seminar explores a neglected history of aesthetics, one where theories of aesthetic value and aesthetic normativity articulate visions of what is shared or common in the human experience, especially as that might be in tension with something like freedom or autonomy.
The scope is large on one dimension: we will read texts from the ancient Mediterranean, South Asia, and the Euro tradition. At the same time, the scope is limited to aesthetic value and normativity, which excludes nineteenth-century writing that shifts the focus squarely onto art. The aesthetic tradition remains live and well today, and we will close by reading recent work by young philosophers.
Members of the seminar enrolled in philosophy are encouraged to connect to cognate research in metaphysics and epistemology, philosophy of mind, value theory, and other areas of the history of philosophy. Members of the seminar from other disciplines are encouraged to bring their disciplinary knowledge to the table and to spin the seminar material towards their research interests.
Assessment
The seminar requirements are one short (ten minute) presentation, possibly a longer presentation, seminar participation, and three to five thousand words in writing (in anything from many short pieces to one long piece).
Short Presentation (10% or 20%) You will make a ten minute presentations to structure discussion of a reading. Your aim is to highlight the issues and their significance, articulate the main arguments, and raise objections or queries that get to the heart of the matter. Treat this like an APA commentary. You will get feedback from the instructor but the presentations are not graded.
Longer Presentation (10%) If you are submitting a term paper, you will make a twenty minute presentation of your term paper ideas. Your aim is to highlight the issues and their significance in a way that generates constructive feedback. You will get feedback from the instructor but the presentations are not graded.
Seminar Participation (10 %) Your goal is to make contributions to the seminar that are (1) regular, (2) pertinent, and (3) constructive. 10/10 for all three; 8/10 for any two, 7/10 for one.
Writing: Short Papers Option (70 %) Submit three to five thousand words in the form of any reasonable number of smaller papers submitted throughout the term. Think of these papers as: partial literature reviews, conference-style comments, journal discussion pieces, blog entries, reports from the front for non-philosophers, lecture outlines, notes to self… be creative.
Writing: Term Paper Option (70 %) Submit between three and five thousand words as a single term paper. Excellent term papers make original contributions of a kind that promise impact on the work of other scholars, they are situated in ongoing debates and bring out the motivations for positions in those debates, they charitably represent opposing considerations, they have impeccable logic, and they are written in a clear and vigorous prose with a supple and economical structure.
Schedule
September 7 |
Introduction: A Crash Course in Aesthetics |
September 14 |
Classical Aesthetic Hedonism Plato, Protagoras |
September 21 |
Kant on Beauty Immanuel Kant, Critique of the Power of Judgement, ed. Paul Guyer, trans. Paul Guyer and Eric Matthews (Cambridge University Press, 2000[1790]) selections TBA |
September 28 |
Kant on Aesthetic Normativity Rachel Zuckert, Kant on Beauty and Biology (Cambridge University Press, 2007) selections TBA |
October 5 |
Bolzano on Beauty Bernard Bolzano, Essays on Beauty and the Arts, ed. Dominic McIver Lopes, trans. Adam Bresnahan (Hackett, 2023{1843+1848]), selections TBA |
October 12 |
Bolzano on Beauty and Practical Reasons Dominic McIver Lopes, “Bolzano on Aesthetic Normativity" MS |
October 19 |
Rasa Theory Abhinavagupta, "The New Dramatic Art," Rasa Reader: Classical Indian Aesthetics, ed. and trans. Sheldon Pollock (Columbia University Press, 2016), 187–223 |
October 26 |
KCB on Rasa K. C. Bhattacharyya, “The Concept of Rasa,” Indian Philosophy in English: From Renaissance to Independence, ed. Nalini Bhushan and Jay L. Garfield (Oxford University Press, 2011[1930]) 195–206, read Part 1 |
November 2 |
KCB on the Paradox of Sorrow Bhattacharyya, “The Concept of Rasa,” read Part 2 Exploring Value Samantha Matherne, "Beyond the Either/Or in Aesthetic Life: A New Approach to Aesthetic Universality” MS |
November 16 |
Recent Work on Community and Autonomy Anthony Cross, “Aesthetic Alienation” MS |
November 23 | Presentations |
November 30 | Presentations |
December 7 | Presentations |
Course Summary:
Date | Details | Due |
---|---|---|